The central hypothesis of the mythical astronomy theory is that many of the ancient legends of Westeros and the rest of the “Planetos” are actually telling us about the global cataclysm which is known as the Long Night through the use of symbolism and metaphor.  This would be consistent with mythology in real life, which is quite often based on observation of the heavens and the cycles and characteristics of nature and its forces.In the first essay, I’m going to dive into the Azor Ahai / Lightbringer myth and try to explain how I interpret it to be referring to the events of the Long Night.  I’ll be comparing the various legends and myths of the story to the main characters and their symbolism, and to scenes which I think contain metaphorical references to the Long Night events.  As you’ll quickly see, I do not think George chooses his descriptive language haphazardly, but rather with the utmost intention.  The reoccurring turns of phrase that we find throughout the books create a tapestry of symbolism which is remarkably consistent, and I would suggest, meaningful.  For me, it all started coming together when I noticed that the moon cracks in both the Azor Ahai story and the Qarthine “origin of dragons” story…For a more thorough discussion of George’s use of symbol, metaphor, and esoterism in ASOIAF, click the ‘methodology’ tab above.  If you’d like to hear about the evolution of this project, click the ‘about’ tab.  Otherwise, just dive on in to the first essay, or if you prefer, I will read you the essay aloud as you clean your house or drive to work.  That’s right, each essay has also been recorded as a matching podcast which can be found at the top of each essay page as well as on iTunes.To be notified when a new essay and podcast are released, please follow the blog here on WordPress or subscribe to Mythical Astronomy of Ice and Fire on iTunes. The podcast RSS feed can be found here.


Mythical Astronomy & History of Westeros present…

Part 2: The Great Empire of the Dawn

Part 1: Asshai by the Shadow

Our collaboration with History of Westeros has become a two part series on the dragonlords of the Dawn Age.  These are available as a video or a podcast only, no accompanying essay.  You can watch here or listen on iTunes.  I hope you all enjoy it, we had a great time making it! Check out all the rest of the great History of Westeros videos on their youtube channel.

Bloodstone Compendium
I: Astronomy Explains the Legends of I&F
II: The Bloodstone Emperor Azor Ahai
III: Waves of Night & Moon Blood
IV: The Mountain vs. the Viper & the Hammer of the Waters
V: Tyrion Targaryen
VI: Lucifer means Lightbringer

Sacred Order of Green Zombies A
I: The Last Hero & the King of Corn
II: King of Winter, Lord of Death
III: The Long Night’s Watch

Great Empire of the Dawn
I: History and Lore of House Dayne
II: Asshai-by-the-Shadow
III: The Great Empire of the Dawn
IV: Flight of the Bones

Moons of Ice and Fire
I: Shadow Heart Mother
II: Dawn of the Others
III: Visenya Draconis
IV: The Long Night Was His to Rule
V: R+L=J, A Recipe for Ice Dragons

The Blood of the Other
–  Prelude to a Chill
I: A Baelful Bard & a Promised Prince
II: The Stark that Brings the Dawn
III: Eldric Shadowchaser
IV: Prose Eddard
V: Ice Moon Apocalypse

Weirwood Compendium A
I: The Grey King & the Sea Dragon
II: A Burning Brandon
III: Garth of the Gallows
IV: In a Grove of Ash

Weirwood Goddess
I: Venus of the Woods
II: It’s an Arya Thing
III: The Cat Woman Nissa Nissa

Weirwood Compendium B
V: To Ride the Green Dragon
VI: The Devil and the Deep Green Sea
VII: Daenerys the Sea Dreamer
VIII: A Silver Seahorse

Signs and Portals
I: Veil of Frozen Tears
II: Sansa Locked in Ice

Sacred Order of Green Zombies B
IV: The Zodiac Children of Garth the Green
V: The Great Old Ones
VI: The Horned Lords
VII: Cold Gods and Old Bones

We Should Start Back
I: AGOT Prologue

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Now in PODCAST form!

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Friends & Family

Sanrixian Art
History of Westeros
• Radio Westeros
• Tolkienic Song of I&F
Mythological Weave of I&F
• Echoes of I&F
• Plowman’s Keep
• Blue Winter Roses
• Pawn to Player
• War & Politics of I&F
• Weirwood Leviathan
• Culture Wars of I&F


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230 thoughts on “

  1. Holy crap I just connect something huge that I think you’ve skipped over on accident. The symbolism for how the meteors reault in 3 different things. Dragons, sea dragons, and burning trees to represent the fire of God. This really all clicked when you informed me the comet was standing in for venus in the story. You might already see where I’m going here. Uranus’ youngest child attacked him and parts of his body was flug across the earth. Blood that landed on the land were werewood seeds, the water, tempered steal for dragonsteel the weapon made of the body, just how APHRODITE spawned! Venus!!! And , cannot be a mistake. The meteors that landed in fire or lava or volcanos make actual dragons. Or maybe just fire worms that allowed for the future creation of dragons!!

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    • I’ve only recently started listening to your podcasts and I’m currently only on your first iron born / grey king myth so it’s entirely possible that you’ve been building up to this exact idea already but I don’t know. It just blew my mind because I keep hearing you struggle with the connection between the multiple things the meteors created. As you’ve said, the magic of Planetos is rooted in the elements. Ice = preserve so that’s what the trees do. Water is darkness and rebirth so dragonsteel is dark and slays the preserved others for rebirth, fire is consumption, destruction and wild = so dragons.

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      • Also worth mentioning, the shade of the evening trees are the meteors that landed on warm / try / tropical land while werewood were frozen earth. So the grey king is the blood stone emperor or an ancestor doomed to follow his footsteps. Killing a moon maiden and undergoing a firy – grey transformation for kinslaying.

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        • I’m definitely onto something here. Check it out. The moon blood fertilizes the meteor seeds. So we have our explanation for blood and sacrifice to the trees. In Greeley myth the blood on the earth created a group of female goddesses. This is pulled from Wiki and I swear to God these are the descriptions of “the old God’s” .. explains why they have no real need also, the Greeks never liked saying their names and often refered to them as the Kindly One. Hint hint. The Kindly man… Who seems to worship the same God’s but the ones symbolized by the black trees not the white trees.
          Alecto – Punisher of moral crimes (anger, etc.)
          Megaera – Punisher of infidelity, oath breakers, and theft
          Tisiphone – Punisher of murderers
          The old Gods everyone. The Weirwood trees are the Furys. The Giants are… Well the Giants …. The Meliae are the ash trees that raised and shapes Zeus. They nourished him with Goat milk and HONEY.
          The Telchines are the Iron Born who settled on islands and dredged up the sea dragon. Rhea trued them to raise Poeisodon which is a close match for what we’re talking about here

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          • Ash trees = shade of the evening trees. A honey like sap that grants the knowledge of the gods to Zeus… Aka the Andals. So the furies ruled the north where, the Meliae ruled Essos and Cronos the kinslayer/kingslayer ruled the oceans and iron islands. I’m sure I can keep building off of this forever at this point.

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            • All of this brings to mind that the curse is for kinslaying is to be burnt by fire and remade in the image of the sun. Dany was killed by solar king Jon and now both are undergoing a transformation due to it. Jon always had been…. Grey…. Kinslayer

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  2. Two things I need to hear your thoughts on the latest episode. Also I was listening to an old video where you mentioned the Grateful Dead. I would love to give you ideas for a video pertaining to that if you’re ever interested in making it.

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  3. I believe the others are more than just a non-player character or a metaphor. They are at least a dark mirror to our heroes, and thus ourselves. But I believe they have agency as well as a point of view of their own.
    Consider the passage in “A Game of Thrones” where Tyrian is reflecting on the Burned Men while riding to meet his father at the inn of the crossroads. One sentence leaps off the page.
    “Every clan in the Mountains of the Moon feared the Burned Men, who mortified their flesh with fire to prove their courage and, the others said, roasted babies at their feasts.” “A Game of Thrones” Tyrian VII italics added
    If we read the books, taking any use of the word “other” when the others themselves are not on page as a below-the-radar description of the others, This quote could be a glimpse into how the others see the living. To what extent is the others’ view of our heroes as villains justified?
    The rest of the imagery in the passages before and after the quote has mythical astronomy implications in themes you have been commenting on; so I won’t belabor them here.
    Thanks for taking the time to read this. Make whatever use of the idea you wish.
    I look forward to hearing what you have to say in future podcasts. Keep up the good work.

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  4. HODOR is the Key

    I think Hodor is going to show up in the Nights King army going after Bran. Bran will accidentally warg into him again and then realize that he can control the army of the dead. It’ll be an accident like the first time, something he does out of necessity. It would be the best ending ever because Hodor would be a symbolic backdoor into the Nights King army. He’d be holding the door again!

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