Euron King of the Apocalypse

Hey there friends! It’s LmL, and it’s time for the good stuff. That’s right, it’s a special occasion and we’re breaking out the rare vintage! We left off last time talking about the the idea of the Others looking for a new Night’s King, and today we are going to talk about that person being Euron Greyjoy, “the Crowseye.” Sounds straightforward, right? Well it’s not! Euron’s face is full of esoteric symbolism, and when you clicked this video, the needed dose of shade of the evening for you to understand all this sh*t was secreted from your mouse or trackpad or phone case and onto your hands, and now it’s about to get real weird. If you haven’t read the Winds of Winter early release chapter “The Forsaken,” then heads up, because we are going to discuss it in depth here, as it’s key to understanding Euron’s coming role as “King of the Apocalypse.” I’d also recommend watching my last few videos to lead up to this one (I would say that, right) as they propose a series of exciting premises which build upon one another.

These exciting premises are based on a combination of symbolic / archetypal analysis and good old fashioned logic, and they include such heresies as: I think Night’s King and Queen lived at the beginning of the Long Night and created the first Others. I think Azor Azor Ahai became the Night’s King, and that it was his seed and soul taken by Night’s Queen and used to make the Others. And in my last video, “A New Night’s King,” I proposed that the Others are currently looking for someone to lead them, to make into a new Night’s King. Based on the symbolism contained in the AGOT prologue and elsewhere, it seems that in archetypal terms, this person should be a one-eyed, Odin-like ice wizard who seeks to or has transcended death, who seeks to or has attained an icy version of the “fire of the gods.” Some kind of icy cross between Bloodraven and Azor Ahai, in other words – that’s the kind of person the Others seem to be looking for.

I left off suggesting that our two main candidates to become such a “A New Night’s King” figure are Euron and Jon Snow, for different reasons and with different implications. For example, if Jon plays a Night King role, it will be either because the Others have stolen and animated his corpse, likely in an attempt to use it to help them cross the Wall or something like that, or because the very end game of the story may require Jon to become Otherized as part of pacifying the Others and their ancient enmity. Night’s King Jon Snow will have to wait for his own video though, because today it’s time to talk about Night’s King Crowseye, Euron of the Graves and Charnel Pits. If Euron becomes a new Night’s King, it will be because he seriously wants to fck sht up, or because he opened one magical door too many without knowing what the f— he was doing.

Behold Aeron Damphair’s shade of the evening-induced nightmare form that Forsaken chapter:

“The bleeding star bespoke the end,” he said to Aeron. “These are the last days, when the world shall be broken and remade. A new god shall be born from the graves and charnel pits.”

Then Euron lifted a great horn to his lips and blew, and dragons and krakens and sphinxes came at his command and bowed before him. “Kneel, brother,” the Crow’s Eye commanded. “I am your king, I am your god. Worship me, and I will raise you up to be my priest.”

The basic case for Euron as a new Night’s King figure is actually pretty straightforward – he’s someone who’s quite literally thrilled about the idea of the world being destroyed, and he thinks this presents him with the opportunity to become some sort of god-on-earth. He sees himself as a god-king “born from the graves and charnel pits” after the “bleeding star” has signaled “the end” and “the last days” – or, said another way, he wants to become a god of death who rules over the new Long Night. He wants to be the Beast from Revelations, the King of the Apocalypse. Not only does this cast Euron as the third-act villain of ASOIAF, it also lines up very well with my interpretation of Azor Ahai as someone who first causes the Long Night by breaking the moon and killing Nissa Nissa in a blood magic ritual, comes to power during the Long Night, and eventually comes to Westeros and becomes Night’s King, creator and leader of the Others. Euron is actually going to show us every step of that path, all the way from Asshai to the cozy saddle of an ice dragon. We’ll start with the Azor Ahai / Asshai end of things and work our way west and north to Night’s King territory. We will however be splitting this expedition in two – what started as one Euron script got over an hour in length, so today we are actually going to talk about Euron as an evil version of Azor Ahai reborn – or even a Bloodstone Emperor reborn, perhaps – and in part two we will look at his specific Night’s King symbolism.

Let me quickly say thank you to all of you watching, liking and commenting on my videos lately, and thanks especially to everyone subscribing to the channel via the red button below. The channel is growing rapidly towards our next goal of 30,000 subs and it’s all thanks to you! Thanks to everyone who has joined our Patreon campaign which you can find out more about at, and thanks to everyone sending in one-time donations at – and don’t forget that you can ask a question with your Paypal! Alright, let’s down some shade of the evening and get to having some nightmares of the apocalypse!

As you just saw, Euron believes the red comet was the herald of his apotheosis (and thanks for that 10 dollar word, Quinn’s Ideas). Now it’s true that everyone in ASOIAF did kinda think the red comet was meant for them, but it’s also true that the prophecy of Azor Ahai’s rebirth says that he will appear when the cold darkness gathers and the bleeding star streaks through the sky. The bleeding star has come and gone, the winds of winter are getting set to blow, and… here is Euron, reaching as high and as hard as he can for any kind of fire of the gods he can put his hands on. Azor Ahai reborn is supposed to be a hero of course, and I fully expect Jon and Dany to fulfill that role, but as I’ve said many times, there’s abundant evidence that the original Azor Ahai was a villainous figure who caused the Long Night – he did murder his wife in a horrific blood magic ritual, after all, and it’s said that he cracked the moon when he did so. Cracking the moon… seems bad in general, and in particular, it’s exactly the sort of thing that could cause a Long Night event, because any sort of lunar catastrophe along these lines would result in pieces of moon raining down on ye old Planetos as “moon meteors” whose impacts might be sufficient to cause an impact winter, a cloaking of the skies with dust, ash, and debris that can last several years.

Indeed, that is of course exactly what I think happened – I believe the moon cracking recorded in both the Azor Ahai myth and the Qarthine “origin of dragons” myth refers to a celestial catastrophe involving moon meteors which created a magical version of an impact winter. Thus, the Azor Ahai myth begins to read more like the tale of man who committed blood sacrifice to gain magical power, but caused great damage to the world when he did so… and that sounds a damn like like Euron’s future, doesn’t it?

In other words, the idea that one manifestation of Azor Ahai reborn might actually be a heinous villain who seeks to gain power through the death and chaos of a new Long Night – or even seeks to bring about that new Long Night – isn’t so strange. In fact, I think Euron will ultimately prove to be the “third head of the dragon,” though obviously he’ll be an evil dragon head and will likely end up opposing Dany and Jon in some sort of epic dragon battle. In fact when we look at the TV show events, where the Night King stole Viserion and fought Dany and Jon on dragonback, it’s pretty easy to see that we need something similar to happen in the book so we can have a good old fashioned dragon fight – one of the dragons must get turned against team Dany somehow. I think it’s similarly easy to see that that “steal Viserion and oppose Jon and Dany” role played by the TV show Night King will be almost certainly played by Euron in the books. If Euron is to both ride a dragon and become the most powerful villain of the new Long Night, then he will rightfully be seen as both an Azor Ahai person and a Night’s King person. That’s certainly how Euron sees himself, and how he wants to be seen.

Euron has of course (according to him anyway) been to both Valyria and Asshai, the two places in the world which are stated to be places where dragons come from – and  the two places most strongly associated with Azor Ahai. Asshai is where the Azor Ahai myth comes from, and as you all probably know, I think the ancient Asshai texts about a pre-Valyrian dragonlord culture existing in Asshai are accurate:

In Asshai, the tales are many and confused, but certain texts—all impossibly ancient—claim that dragons first came from the Shadow, a place where all of our learning fails us. These Asshai’i histories say that a people so ancient they had no name first tamed dragons in the Shadow and brought them to Valyria, teaching the Valyrians their arts before departing from the annals.

I think this ancient Asshai dragonlord kingdom was actually the one remembered as the Great Empire of the Dawn, and it seems that Euron very much wants to cast himself in their image – more on this in a moment. The point for now, and really the entire point of figuring out that there were ancient dragonlords in Asshai, is that Azor Ahai himself was almost certainly a dragonlord of their lineage. Thus when we think of Azor Ahai coming to Westeros from Asshai during the Long Night, we should think of a dragonlord – quite possibly an evil dragonlord. Like Euron will be.

As for Doomed Valyria, to which Euron claims to have sailed, they were of course a dragonlord empire whose magic is rooted in fire and blood. In fact, all of their magic seems taken straight from the Azor Ahai mythology- they make magic swords with blood magic and human sacrifice, they ride dragons, they use fire magic, and they possess all the weapons needed to defeat the Others, from dragonglass to Valyrian steel to dragons themselves. According to some prophecies, Azor Ahai reborn should come from the blood of Valyria by way of House Targaryen, and if Valyria does in fact descend from the ancient Asshai dragonlords of the Great Empire of the Dawn, then there may be a continuous bloodline from Azor Ahai to, say, Jon and Dany.

Euron may not have Valyrian blood, but he’s sure trying to dress up like a Valyrian! This is from the Forsaken Winds of Winter chapter:

Euron Crow’s Eye stood upon the deck of Silence, clad in a suit of black scale armor like nothing Aeron had ever seen before. Dark as smoke it was, but Euron wore it as easily as if it was the thinnest silk. The scales were edged in red gold, and gleamed and shimmered when they moved. Patterns could be seen within the metal, whorls and glyphs and arcane symbols folded into the steel.

Valyrian steel, the Damphair knew. His armor is Valyrian steel. In all the Seven Kingdoms, no man owned a suit of Valyrian steel. Such things had been known 400 years ago, in the days before the Doom, but even then, they would’ve cost a kingdom.

Euron did not lie. He has been to Valyria. No wonder he was mad.

We don’t really know for sure where Euron got that Valyrian steel suit of armor – if not from Valyria, it would have to have been some place like Qarth or Asshai – but that’s kind of beside the point in the context of interpreting Euron’s archetype. He’s presenting himself as a Valyrian warrior and sorcerer, and he’s even suggesting he can survive that which the Valyrians could not by claiming to have sailed into Doomed Valyria and back out again, something nobody else has apparently ever done.

So he’s wearing Valyrian armor, he’s claiming the comet as his herald – but Azor Ahai reborn is most famous for his flaming sword and his dragons, and Euron has neither of those things. However it’s no secret he has plans to acquire a dragon, and the magical talisman he’s going to use to do it is described in very strong Lightbringer terminology. I am of course talking about the Valyrian dragonbinder horn:

Sharp as a swordthrust, the sound of a horn split the air. Bright and baneful was its voice, a shivering hot scream that made a man’s bones seem to thrum within him. The cry lingered in the damp sea air: aaaaRREEEEeeeeeeeeeeeeeeeeeeeeeeee.

The sound of the horn is as “sharp as a swordthrust” and “splits” the air, suggesting the horn’s sound as a sword, and the phrase “shivering hot” gives the idea of it being a flaming sword, or perhaps a “sword of ice and fire,” you might say. The horn itself actually burns as it is blown, with its glyphs glowing redly at first and then finally burning and shimmering with white fire. The horn compares very well to a Valyrian steel sword physically – it’s a horn from an actual dragon, it’s black and pointy, and it’s even banded in Valyrian steel. And again, it lights up with magical fire and is described as a burning sword here, author’s words, not mine.

Now when Nissa Nissa was stabbed with Lightbringer, she famously let loose with a cry of agony and ecstasy which left a crack across the face of the moon, and that idea is clearly and deliberately evoked when dragonbinder is blown. The horn’s sound, besides being described as a sword thrust, also sounds like a person’s ultimate cry of pain and suffering; it’s described as a “scream,” a “cry,” a “shriek,” a “baneful voice,” and “a wail of pain and fury that burns the ears,” and this terrible screaming sound went “on and on and on until it filled the whole wet world.” And again, it’s not just that this sounds like the sort of scream that could crack a moon open – the thing causing this scream is described as a burning dragon sword! Heck, even the idea of the horn calling dragons alludes to the moon cracking, since Nissa Nissa’s cry summoned moon meteor dragons, so to speak.

We can also observe that according to the Valyrian glyphs etched on the bands of the horn, it seems to operate on the same magic principle that powered Azor Ahai’s Lightbringer: “blood for fire, fire for blood.” Nissa Nissa’s blood is what set Lightbringer on fire, while here it is the hornblower’s life that is demanded in payment fo the horn’s use – he bled as he blew the horn, and his lungs were found to have been burnt black after he died, which he did shortly after tooting on the hellhorn.

So in summation, the Valyrian dragon horn is described like a flaming sword, sounds like Nissa Nissa’s cry that broke the moon, uses the same magical mechanics as Lightbringer, and is supposed to bind to Euron’s will the dragons that will certify him as Azor Ahai reborn. For now, this is Euron’s Lightbringer symbol, though I wouldn’t rule out his whipping out a Valyrian steel sword at some point, especially since two of his Ironborn subjects currently posses one. House Harlaw has one called Nightfall, House Drumm has Red Rain –  and oh wouldn’t you know it, those are both good Lightbringer / Long Night sword names, since it was a magical Nightfall caused by a red rain of bleeding stars which were remembered as dragons and flaming swords when they fell to earth.

Bonus round entry for Euron as a pseudo-Valyrian: he might be using glass candles already. In Qarth in ACOK, Xaro Xhoan Daxos tells Daenerys about several odd things that have started happening around Qarth lately, one of which sounds like Euron using an alias:

“It is said that the glass candles are burning in the house of Urrathon Night-Walker, that have not burned in a hundred years.”

There are some who think that Urrathon Night-Walker is just the name Euron uses when he stays in Qarth, which certainly wouldn’t be far-fetched. There’s an Ironborn king whom Euron may parallel named Urrathon Goodbrother, nicknamed “badbrother” for his evil deeds. He’s thrown down in favor of Torgon the Latecomer, who appears to be foreshadowing for the Theon the Latecomer theory which speculates on Theon being king of the Iron Islands at the end after not having been present for Euron’s kingsmoot, as Torgon was not present for Urrathon Badbrother’s. If Urrathon Night-Walker is Euron’s alias – and certainly the Night’Walker part makes a ton of sense for Euron – then Euron has been playing with glass candles. He’s been to Asshai and maybe Valyria, so again this wouldn’t be far-fetched in the slightest.

Extra bonus Euron dragonlord clue: a possible parallel to the first and last “Emperor of Valyria”:

The histories of Qohor likewise claim that a visiting dragonlord, Aurion, raised forces from the Qohorik colonists and proclaimed himself the first Emperor of Valyria. He flew away on the back of his great dragon, with thirty thousand men following behind afoot, to lay claim to what remained of Valyria and to reestablish the Freehold. But neither Emperor Aurion nor his host were ever seen again.

The name Aurion sounds like Euron, and like Aurion, Euron is attempting to lay claim to the mantle of the Doomed Valyrians. Aurion did this in the immediate aftermath of the Doom, and Euron will be doing so during a new Long Night, so they are both attempting to level up in the wake of great destruction. Finally, I think Euron’s end could parallel Aurion’s to the common memory of Westeros, only Euron would be flying north to the heart of Winter on his great dragon, only to never be seen again. We the reader will get to see his epic dragon-fight with Jon and Dany, but to the histories… Euron may end up being known as the first and last God-Emperor of Westeros who flew north on the back of his great dragon and was never seen again. It could be coincidence that some of that lines up, but there’s enough there to make worth mentioning.

Alright, so that covers Euron the pseudo-Valyrian, but like I said, he’s also been to Asshai-by-the-Shadow, home of Azor Ahai. He introduces himself at the Kingsmoot by saying that “only one has sailed to Asshai by the Shadow, and seen wonders and terrors beyond imagining,” and word about this has spread rapidly, with Robb Stark receiving this report from a fisherman who fled the Iron Isles right after Euron arrived:

“Euron. Crow’s Eye, they call him, as black a pirate as ever raised a sail. He’s been gone for years, but Lord Balon was no sooner cold than there he was, sailing into Lordsport in his Silence. Black sails and a red hull, and crewed by mutes. He’d been to Asshai and back, I heard.” 

If Euron has been to Asshai – and I see no reason to doubt him, as people do sail there with regularity – then he certainly will have seen wonders and terrors beyond imagining. Actually, they’re not quite beyond our imagining, because we do have an inkling of what kind of knowledge Euron might have acquired there – he probably learned about the Great Empire of the Dawn and Azor Ahai. I used the phrase “god-on-earth” a minute ago to describe Euron’s ambitions, and that’s no accident – “The God-on-Earth” is the title of the mythical first ruler of the Great Empire of the Dawn, and it is in this most ancient sense that Euron sees himself as a “god-king.” There are several clues about this.

First of all, recall that the rulers who came after the God-on-Earth had titles based on gemstones – Opal Emperor, Amethyst Empress, etc – and when Dany sees a vision of them as ghosts in her “wake the dragon” dream, they appear with gemstones in their eyes. The line there was

Ghosts lined the hallway, dressed in the faded raiment of kings. In their hands were swords of pale fire. They had hair of silver and hair of gold and hair of platinum white, and their eyes were opal and amethyst, tourmaline and jade.

So now listen to Euron brag about his exploits around the world:

“As it happens I have oft sat upon the Seastone Chair of late. It raises no objections.” His smiling eye was glittering. “Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air . . . I know them all.”

Golden statues with gemstone eyes – sounds like he’s seen some leftover idols of the God-Emperors of the Great Empire of the Dawn, either in Yi Ti or Asshai. Euron’s blue smiling eye is  “glittering” in this passage, which suggests Euron’s eye as a blue gem or a blue star – thereby drawing a similarity between Euron and those gemstone-eyed “god-emperors.” Later in this quote, Euron also calls himself “the godliest man ever to raise sail,” because he makes everyone pray in fear of him. Euron is the god, in other words; he’s the godliest man in that he seeks to be a god-on-earth.

Similarly, Euron seems to be the only one besides me and my friend Durran Durrandon who sees Daenerys as the Amethyst Empress reborn:

“The last of her line. They say she is the fairest woman in the world. Her hair is silver-gold, and her eyes are amethysts . . .”

Now you don’t have to be a rocket-scientist or a greenseer wizard to predict that Euron doesn’t want to just marry Dany and feed her figs and wine – well, he might give her some “wine,” but the point is his intentions are likely to steer closer to blood magic sacrifice than wedded bliss. Dany is the strongest modern version of both the Amethyst Empress and Nissa Nissa, and they both met a similar end. Nissa Nissa was murdered by Azor Ahai to forge Lightbringer, and the original Amethyst Empress was murdered by her brother, the usurping Bloodstone Emperor. According to legend, this Bloodstone Emperor fellow murdering the Amethyst Empress was an act so heinous that it caused the Long Night and — wait. A blood magic murder that caused the Long Night? Gosh, that sounds like Azor Ahai causing the Long Night by cracking open the moon with Nissa Nissa’s murder. And indeed that’s exactly what I have proposed many times of course, that the Bloodstone Emperor was Azor Ahai, and Nissa Nissa the Amethyst Empress. That’s why Daenerys echoes both Nissa Nissa and the Amethyst Empress, for example, and it seems clear that Euron is very much a Bloodstone Emperor type of Azor Ahai figure – someone who cause the Long Night and then takes power. Indeed, I would expect that Euron’s plan for Daenerys involves using her to work dark magic, just as the Bloodstone Emperor and Azor Ahai both did with their female counterparts. There’s hope for Daenerys though, more on this in a moment.

Other Euron – Bloodstone Emperor parallels: Euron murdered his sibling, who was the rightful monarch, and usurped their throne, just like the Bloodstone Emperor did to his sister. The Bloodstone Emperor worshiped a black stone that fell from the sky, and Euron sits the oily black stone Seastone Chair, which reads very like a Lovecraftian black meteorite itself. The Bloodstone Emperor is also potentially tied to the fused stone fortress and Oldtown, and there are clues that he launched an invasion of Westeros from there. Euron is of course about to attack Oldtown, and from there, the rest of Westeros. I even think the ancient legend of a pirate lord setting up shop on the Isle of ravens at Oldtown may be a foggy memory of the Bloodstone Emperor, who would have sailed to Westeros as a “pirate from Asshai,” so to speak. A lot of Azor Ahai people are pirates or sea captains actually – Stannis, Daemon Targaryen who ruled from Bloodstone Island in the Stepstones, Dalton Greyjoy the Red Kraken, and of course Euron.

Getting back to the idea of Euron wanting to murder Dany as his version of the Amethyst Empress and Nissa Nissa, we see that he’s already planning to do this with poor Falia Flowers, a bastard daughter of Lord Hewitt, who’s castle Euron has taken. Euron wined her and dined for hot second, but then at the end of the Forsaken chapter, we see that’s she’s been tied to the prow of the ship alongside the Damphair, with both of them seemingly intended as a blood sacrifice to power Euron’s dark magic in the coming battle with Oldtown. In that sense both Aeron Damphair and Falia Flowers are playing the Nissa Nissa role here. Here’s the first part:

This time, the mutes did not drag him below. Instead, they lashed him to the prow of the Silence, beside her figurehead, a naked maiden slim and strong with outstretched arms and windblown hair … but no mouth below her nose.

Aeron’s blood is desired by Euron for what abomination he’s going to work because Aeron is a priest, and therefore is thought to have “holy blood” – Euron says to Aeron “No, I’ll not kill you tonight. A holy man with holy blood. I may have need of that that blood … later.” Euron has also been imprisoning priests of other religions to use in this same ritual as well – three septons, a red priest, a two warlocks -so it’s clearly a big part of his plan.

As for Falia, she is placed in the Nissa Nissa role by virtue of being Euron’s wife, and it turns out… and this gets pretty dark, let me just warn you, that Falia is pregnant with Euron’s child:

He beckoned, and two of his bastard sons dragged the woman forward and bound her to the prow on the other side of the figurehead. Naked as the mouthless maiden, her smooth belly just beginning to swell with the child she was carrying, her cheeks red with tears, she did not struggle as the boys tightened her bonds. Her hair hung down in front of her face, but Aeron knew her all the same.

Falia’s tongue has actually been torn out, making her a grisly symbolic match to the mouthless maiden on Euron’s ship, for whom “The Silence” is named. That’s important because the iron maiden of the Silence is actually Euron’s primary Nissa Nissa symbol, as she essentially represents all of the sacrificed people tied to the prow of Euron’s ships. Together with the blood ship Silence which follows behind, the Iron Maiden is telling Nissa Nissa’s story, which means we’re about to dissect the lyrics to The Iron Maiden’s “Number of the Beast” — no no, I’m kidding, I’m kidding, although the Forsaken chapter does open with the line “It was always midnight in the belly of the beast,” referring to the hold of the Silence where is held captive. No, when I compare the Silence and its iron maiden to Nissa Nissa, what I mean is that we’re about to go full mythical astronomy analysis. I’ve been trying to keep the mythical astronomy stuff limited in these recent videos about the Others to sort of ease some of you new myth heads into things, but that’s all going out the window now, because Euron’s symbolism is pure Long Night moon-meteor apocalypse all the way. So buckle up and down some more Shade of the Evening, and we’ll swim in the oceans of blood and darkness inside Euron’s twisted mind.

So like I said, the women and holy men Euron murders and the iron maiden on the prow of the Silence are symbols of murdered Nissa Nissa and her celestial analog, the cracked moon, and indeed, Nissa Nissa’s tragic tale – and the moon’s tragic tale – is told through the waves of blood and night symbolism of the ship. The idea here is the one I mentioned with Red Rain and Nightfall; the Long Night darkness was caused by a shower of moon meteors, a rainfall of bleeding stars. It’s very much an “as above, so below” type of symbolism – on the ground, Nissa Nissa’s blood consecrates Lightbringer, and in the sky, the moon’s “moon blood” of bleeding stars become the flaming sword meteors which bring the fall of the Long Night.

Now look at Euron’s ship. On the front is the sacrificed maiden made of black iron, whose eyes are mother of pearl, with pearls being universally regarded as moon symbols throughout world mythology. She’s a symbol of both dead Nissa Nissa and the pieces of dead moon which became bleeding stars, in other words, and trailing behind her is a ship stained red as blood, like the fiery, blood red tail of a “bleeding star.” Euron is perceived in multiple visions as sailing on a sea of blood, or even sailing on a burning and boiling sea of blood, so you can pretty much picture Euron surfing the sky on the back of the red comet if you want – or you can say that evil Azor Ahai rides to power on the back of Nissa Nissa’s blood sacrifice when the stars bleed.

That covers the blood side of the “Red Rain and Nightfall” symbolism, and the darkness is found in the sail, which is “black as a starless sky.” That’s unmistakable “blotting out the stars” language,” and thus the Long Night sequence is complete: Euron’s ship shows us a celestial moon maiden turning into waves of bleeding stars which brought the darkness. This is Euron’s chariot, because he’s evil Azor Ahai reborn.

This waves of bleeding stars and darkness symbolism is by no means confined to the Silence; it’s actually Euron’s defining symbolism. We see it all over his physical appearance; for example, we see the darkness of the black iron maiden and the “black as a starless sky” sails also depicted by Euron’s black iron crown, symbol of the darkened sun, as well as his black sable cloak. You’ll remember from the last video that Waymar Royce’s identical black sable cloak did the “blotting out the stars” routine in the scene where he was about to become a symbolic Night King, so Euron’s cloak is one that can cover the sky. Euron stole that black sable cloak from Baelor Blacktyde, whom he killed, and the phrase “black tide” suggests an ocean of darkness – think of the cosmic ocean of the sky, but robbed of its stars, like his black sail. Euron’s black hair is an ocean of darkness too – it’s called “black as a midnight sea” in a Victarion chapter. Then we have the Valyrian steel suit of armor he wears, which is called “dark as smoke,” evoking the smoke from impacts of the meteor dragons which created the starless sky of the Long Night.

That’s a lot of darkness, and we should be sure that it is symbolically implied as flowing from the moon, because Euron’s face is compared to the moon by Aeron Damphair in the Forsaken. He recalls in one scene that “he had seen the moon floating on a black wine sea with a leering face that reminded him of Euron,” which is both terrible and fantastic. Aeron is either describing the moon’s reflection seeming to float on a black ocean or he’s simply referring to a black sky around the moon as a sea, but either way it’s the same ‘sea of darkness’ symbolism surrounding the Euron-like moon face here that we see in Euron’s “black tide” cloak, starless sky black sails, or his “black as a midnight sea” hair. Think about the mythical astronomy picture of Euron’s face here – it’s a moon face surrounded by hair, crown, armor, and cloak made of smoke and darkness, which matches Aeron’s vision of a moon face floating on a black wine sea.

A black wine sea alludes to the Shade of the Evening that Euron pours into his moon face, and indeed, all of this symbolism portrays the moon as essentially drowning in a sea of darkness. The shade of the long night came from the moon, friends, I don’t know how many ways you want the author to show us that.

Actually, George Martin did in fact come up with an even cooler way of showing us that in the Forsaken chapter: have Euron’s face explode in tentacles of inky darkness.

He saw the longships of the Ironborn adrift and burning on a boiling blood-red sea. He saw his brother on the Iron Throne again, but Euron was no longer human. He seemed more squid than man, a monster fathered by a kraken of the deep, his face a mass of writhing tentacles.

Euron’s moon face has become a mass of writhing tentacles, and of course squids shoot out jets of black ink as a defense mechanism, so it seems that the tentacles are yet another depiction of clouds of darkness emanating from the moon explosion. Alongside Euron’s squid-face, we see the burning sea of blood symbol to suggest waves of burning and bleeding stars, so once again we have the entire “Red Rain and Nightfall” moon disaster symbolism present.

Look, I know standing close to creepy Euron is uncomfortable, especially when he’s wearing the sable cloak and the eyepatch and nothing else like in that one Victarion scene where Vic tells him to jump out a window, but we actually do have to look even closer at Euron’s moon face to find the ultimate blood and night symbolism. I’m talking about Euron’s blood eye, both his actual eye and his blood eye sigil, and they’re spewing forth waves of blood and darkness too, just like his face. The eye itself is suggested as blood red by the name blood eye, and in Aeron’s shade of the evening nightmare vision of Euron talking about the bleeding star signaling the end times, it says “He showed the world his blood eye now, dark and terrible,” associating his blood eye with the apocalypse and the bleeding star. The blood eye is also implied as black though; Theon thinks of it as “black and full of malice,” and calling it a crow’s eye suggests it as black as well. Euron wears two kinds of patches over his eye – one of blood red leather, and one black, of course.

The blood eye on Euron’s sigil is blood red with a black pupil, and above it is the black crown darkened sun symbol – so again, the blood eye is suggested a symbol of the apocalypse. Indeed, the blood eye of the sigil is actually a detailed visual depiction of the Long Night disaster, and it’s one of my very favorite symbols, so check this out. The Qarthine myth seems to describe a solar eclipse alignment at the moment of the moon cracking; it says that the second moon “wandered too close to the sun and cracked from the heat.” The only way you can see a moon when it’s close to the sun in the sky is during a solar eclipse, when they are superimposed; so picture the black pupil of the Blood Eye sigil as the moon, and the surrounding red eye as the ring of the eclipsed sun. Seeing the sun and moon as the eyes of god is a classic mythical notion, and in the sky above Planetos, this sun-moon eclipse alignment might well have been perceived as a great eye of doom, or a one-eyed god.

To help us put all this together, Martin has given us the lake called “The Gods Eye” which has a pupil-like island in the middle of it. He then describes the lake as appearing to be on fire and shining like the sun a few times so that we know to associate it with the sun, and an island full of weirwood trees naturally correlates to the moon, because weirwood faces are associated with the moon in several key places – the weirwood face black gate which glows with milk and moonlight; the weirwood moon door int he Eyrie, and the half-weirwood doors of the House of Black and White, which have a giant moon face carved in them. Additionally, the moon has always been seen as having a face inside of it, and many people in ASOIAF, including Euron, have moon faces. Ergo, when we look at the Gods Eye and the Isle of Faces, we can see it as a reflection of the sky on the ground – it’s a moon pupil island on a lake of fire, oh yeah. The fire of the gods, of course, since the trees on the Isle of Faces literally have the eyes of the Old Gods on them.

Sorry to blast you with symbolism like that, but I did warn you. I hope you’re having a good time! Here’s the point – the sun / moon alignment in the sky is like the celestial eye of god, and the thing that kicks off the Long Night is a giant comet sword poking out and blinding that gods eye by crashing into the moon while it stands in front of the sun. Think of Waymar’s eye being stabbed by the rain of needle-like sword shards; that depicts this celestial gods eye-poking, and then right after, his other eye lights up blue to symbolize the rise of Night’s King and the Others during the Long Night. Euron’s face is the same – one eye is full of blood and darkness, and the other one is blue and shining. He shows the world his blood eye when the red comet comes and the apocalypse is at hand, because the blood eye represents the moon destruction.

Then we have Aemond One-Eye Targaryen, who like Euron is a one-eyed dragonriding Night’s King figure. One of his eyes was blinded with a knife when he claimed his dragon, but he replaced it with a blue star sapphire, so again we have an eye blinding, the acquiring of magical power, and a blue star eye opening.  Then one day Aemond One Eye got on his dragon, battled with Daemon Targaryen, and had a Valyrian steel sword shoved through his blue star eye, only to have both dragons and riders plunge down into the Gods Eye lake for yet another “dragon comets pierce the Gods Eye” symbol. We’ll return to this epic aerial dragon fight soon to break it down in full, don’t you worry.

So think about the awesome symbolic synergy Martin has created with the combined one-eye symbol – when the gods eye is blinded in the sky, the wizard known as Azor Ahai / Night’s King does an Odin-like transformation, transcending death and gaining great magic. That’s pretty great stuff, and you can further exploration of all of this symbolism in my older podcasts, but what it boils down to is that Euron is a walking symbol of the Long Night moon disaster and the waves of bleeding stars and oceans of darkness which filled the sky thereafter. His ship, his face, his eyes, his hair, his cape, his armor and his dragonhorn, they all tell the story of fire, blood, and darkness emanating from this great celestial eye.

Here’s a gnarly Euron quote that shows his blood eye in action, and it’s similar to the one where his moon face turns into squid tentacles.This one from ADWD where Tyrion is asking Moqorro about what he sees in his fires:

“Have you seen these others in your fires?” he asked, warily.

“Only their shadows,” Moqorro said. “One most of all. A tall and twisted thing with one black eye and ten long arms, sailing on a sea of blood.”

Euron’s black “blood eye” eye represents the blinding of the celestial gods eye sun/moon alignment, and those black arms are reaching out from it, just as they did from Euron’s moon face in Aeron’s vision. Once again we see the sea of blood to complete the picture, and once again we see Euron sailing on it to power like he was surfing the sky on the red comet. Feel free to draw that, anyone. 

As you can see, the Red Rain and Nightfall symbolism is very consistent with Euron and the picture it paints is a dark one – it’s the Long Night moon disaster, spelled step by step. The blood magic human sacrifice, the symbols of Lightbringer’s forging, the bleeding stars and waves of darkness, and a magical wizard king of the apocalypse who seems like the darkest, twisted form of Azor Ahai imaginable.

Euron isn’t just an aspiring King of the Long Night though – he’s also specifically a Night’s King figure too. Originally I had planned to cover his Night’s King symbolism in the same episode as all this evil Azor Ahai stuff we just went over, but I think all that symbolism may have splatted a few brains out there, so we’ll go ahead and call this part 1 and wrap it here. We’ll pick up right where we left off next time, and the evidence for Euron as a leader of the Others is going to come hot and heavy. So like this video and give it a share, and make sure you’re subscribed to the channel here – a lot of you watching aren’t subscribed yet, but I have seen it in the flames that you will be very soon, so just give in to fate and go with it. Thanks for watching everyone, and thanks most of all to our patreon sponsors who fuel the fires around here…

One thought on “Euron King of the Apocalypse

  1. Just read this and several other articles and i’m impressed with the thought out symbolism and deep look into the mythology that GRRM creates for us. I also am wondering if the cracked moon from Nissa Nissa and blood magic created through that from Azor Ahai is the magic cracked moon that caused the seasons to go out of whack! GRRM said it was most likely magic that caused the seasons to be irregular on Planetos.


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